The surface of the rough rock was heavily retrained with rough rock, and the inner side heavily printed Chrysanthemum crest, presenting different internal and external details.
The surface hammered finish and the inner side of the chrysanthemum were made manually and each ring had unique details.
The surface thickness of the body is also applied to the rock ' s hammered finish, almost all of which, with the exception of parts of the welded position, have textures.
The overlapping position, print depth and distribution of the chrysanthemum pattern will vary from metal to metal.
It is an appreciation of the quality of the craft built through manual exercise.
In addition to the face-to-face shape, you can appreciate the light changes on your side.
A simple and simple pair of the other rings is more hierarchical and can be fitted to a free combination.
Each piece of paper is prepared on a case-by-case basis, with a slight difference between the marks and the quality of each piece of work.
For RYUZU, the hammered finish process: a hammered finish technique, which is inherited from silverware, is used to strike metal at point by point and form a bulge in the form of exercise.
The hammered finish textures formed by hand vary from one piece to another.
The ring has different shades and radiances as the light and angles change, and it is also the charm of the RYUzummered ring.
"Knows the features of the RYUZUMMERed process."