The feather side is configured with Japan ' s traditional fall agry and the other side is carved with Yatagarasu feathers to form a contrasting pendant design.
On one side, the finely folded daisies fall and on the other side the feathers are engraved along the path.
The two shapes are separated by the central feathers, so that the glorified fall-athrys and the hard feathers echo on the same pendant.
The top configuration of Yatagarasu is shaped.
Bail is designed as Yatagarasu living in a circle with a bird's beak.
Integrating a chained circle into the overall design, both on the front and on the side side, will appreciate Yatagarasu ' s gods and bird beaks.
The whole body does not oxidize and keeps the brightness of the silver itself in the brightest light.
Lights reflect on fine petals and feather stripes, highlighting the beauty of bright silver and fine gold.
The long-forming of approximately 74 mm is also marked by a sense of presence and is suitable for Japanese clothing and day-to-day dress.
About the fall of the chrysanthemum: displaying the symmetrical sprawl.
The work is heavily configured on the feather side, with each petal shaped and interlocking layers.
Unlike a neatly arranged chrysanthemum, the stale chrysanthemum displays a sense of mobility in contrast to the other feather texture.
Yatagarasu: Yatagarasu, appearing in the Japanese Books and Ancients, is a three-dimensional spirit bird.
The legends that Yatagarasu had led the god, Wutian Emperor, from the bear field to Yamamoto and was therefore respected as the god of the way, and also as the sun itself.
RYUZU is a hand-held and visible gesture that incorporates the sermons of the road ahead.