The centre is equipped with natural stones, with a strong stereo sense of condensed condensed condensed with traditional hemorrhoid techniques on both sides.
Stopped with a flame pattern, adding a sharp line to a sharp design.
The natural sarcophagus and the flame shapes interact.
Skins and oxidation are designed to focus on old processes and natural stone and flame formations, with a strong RYUZU feeling and an overall look suitable for daily wear. Keeping the work manual is a nuanced difference that allows each piece to express its identity.
Metals are soft and lightly combined with natural stone colours, and contrasts with light.
The craftsmen scrutinize the metal and complete the work on a piece-by- piece basis.
Pumping the layers of the metal surface with thugs is a traditional technique inherited from the production of silver in Japan.
This technique, which has been used since ancient times in such devices as the knit and teapots, is both delicate and powerful, and is a traditional process for appreciation.
RYUZU converts the traditional processes available for appreciation into apparel that can be worn by a person on a case-by-case basis and is integrated into modern dressmaking.
Artificial sculpturing has different details and presents a unique quality of RYUZU.