Garuda flamependant (R) Natural stone oxidation for the old treatment, which reminds me of Garuda flame behind Ming King's back, which is shaped by manual man-made man-made body-forming, with a glimmer of light and a flame-like movement of static silver.
Inspired by Garuda flame behind the King of the Unmoveable, with the natural stone pendant.
The design of the flame shakes adds a distinct impression to the chest.
Garuda flamependant provided paragraph 2 to the left and to the right, which is also suitable for wear.
It is characterized by the influence of the fire around the former pendant, which can be directed to the left (L) and to the right (R) playing.
*Layering can be matched with "8-foot Joanmagatamapendant oxidation for old processing × 2 SIZE:S" to enable Garuda flame to form a proportional round effect.
*The effects vary according to the baril specifications.
Keeping oxidizing as the old dark color at the flame dent highlights the high and low profile and the stark shadow.
The pomegranate adds colour and light to the center of the flame and mirrors the shadow of silver.
The full length of approximately 36 mm with a maximum width of about 15 mm size naturally allows for the integration of Arabic properties.
Concerning flame and dragons: from ancient times, the flame has been seen as a symbol of lighting the darkness, eliminating the scourge and bringing new forces, and is widely used in decorative design.
RYUZU displays a glimmering flame dynamic in a silver shape with loose and fluid lines.
Fire dragons combine the purification of the flame with the life-spirit and the twilight of the dragons to form a distinctive form of will.
The incumbent fixes the contours and shadows on a case-by-case basis, so that the flame on the chest displays a rich layer with light and angle.