Two Garuda flamependant, second paragraph, oxidation for the old process, reminds me of Garuda flame's contour behind the King of Ming's back, with different faces with light, with the staff carefully adjusting the contour, thickness and shadow.
"As a result of the work of Garuda Flame behind the King of the Untied Kingdoms,
The design of the flame shakes adds a distinct impression to the chest.
The design is also suitable for playing with the desired mix of the old pendant, which forms the effect of a flame around it.
Keeping oxidizing as the old dark color at the flame dent highlights the high and low profile and the stark shadow.
The multi-fired structure displays the frontal layers of the chest as it moves.
The full length of about 36 mm with a maximum width of about 40 mm sizes naturally allows for the integration of Arare Pattern quality.
Concerning flame and dragons: from ancient times, the flame has been seen as a symbol of lighting the darkness, eliminating the scourge and bringing new forces, and is widely used in decorative design.
RYUZU displays a glimmering flame dynamic in a silver shape with loose and fluid lines.
Fire dragons combine the purification of the flame with the life-spirit and the twilight of the dragons to form a distinctive form of will.
The incumbent fixes the contours and shadows on a case-by-case basis, so that the flame on the chest displays a rich layer with light and angle.