The old treatment of flamependant oxidation suggests that the fluid shape of the flame with the wind and the light displays different faces, with the function carefully adjusting the contour, thickness and shadow.
The pendant, whose theme is fire, relies on the wisdom of civilization, the light of darkness and the pseudo-tour that leads to the clean earth.
The flame part is treated with mirrors, and the bottom forms a rough face texture with a rock hammered finish, which is reinforced by contrasts.
The diagonal punctures formed a stereo sense, and the flank thickness was also strewn with rock hammered finish.
Keeping oxidizing as the old dark color at the flame dent highlights the high and low profile and the stark shadow.
It is connected to the smooth shape of the flame that moves with the wind, carefully adjusting to the whiteness of the surroundings, with a clear presentation of the subject either alone or in playering.
The full length of approximately 64 mm is about 5 mm wide and allows for the natural integration of Arabic properties.
Concerning flame and dragons: from ancient times, the flame has been seen as a symbol of lighting the darkness, eliminating the scourge and bringing new forces, and is widely used in decorative design.
RYUZU displays a glimmering flame dynamic in a silver shape with loose and fluid lines.
Fire dragons combine the purification of the flame with the life-spirit and the twilight of the dragons to form a distinctive form of will.
The incumbent fixes the contours and shadows on a case-by-case basis, so that the flame on the chest displays a rich layer with light and angle.