The flamependant oxidation is used for old treatments, and it is embedded in natural stones that reminds me of the fluid shape of the flame that moves with the wind and is shaped manually by a man, and the flow curves capture the light, so that the static silver is a flame-like movement.
The pendant, whose theme is fire, relies on the wisdom of civilization, the light of darkness and the pseudo-tour that leads to the clean earth.
Design of natural stone and flame to respond to each other. The flame part is treated with mirrors, and the bottom forms a rough face texture with a rock hammered finish, which is reinforced by contrasts.
The diagonal punctures formed a stereo sense, and the flank thickness was also strewn with rock hammered finish.
Keeping oxidizing as the old dark color at the flame dent highlights the high and low profile and the stark shadow.
The pomegranate adds colour and light to the center of the flame and mirrors the shadow of silver.
The full length of approximately 64 mm is about 5 mm wide and allows for the natural integration of Arabic properties.
Concerning flame and dragons: from ancient times, the flame has been seen as a symbol of lighting the darkness, eliminating the scourge and bringing new forces, and is widely used in decorative design.
RYUZU displays a glimmering flame dynamic in a silver shape with loose and fluid lines.
Fire dragons combine the purification of the flame with the life-spirit and the twilight of the dragons to form a distinctive form of will.
The incumbent fixes the contours and shadows on a case-by-case basis, so that the flame on the chest displays a rich layer with light and angle.