The old treatment of flamependant oxidation suggests that the fluid shape of the flame with the wind and the light displays different faces, with the function carefully adjusting the contour, thickness and shadow.
[Notes] This paragraph is designed to focus on playering; Separate wearing is done in a vertical manner, while playingering is in a horizontal way.
If worn alone horizontally, the design face will be down.
*The picture is accompanied by a sign of playering.
The pendant, whose theme is fire, relies on the wisdom of civilization, the light of darkness and the pseudo-tour that leads to the clean earth.
Combining with other pendant can be a variety of styles.
Keeping oxidizing as the old dark color at the flame dent highlights the high and low profile and the stark shadow.
It is connected to the smooth shape of the flame that moves with the wind, carefully adjusting to the whiteness of the surroundings, with a clear presentation of the subject either alone or in playering.
The height is about 11.5 mm and the maximum width is about 34 mm in size, which naturally allows for the integration of Arare Pattern.
Concerning flame and dragons: from ancient times, the flame has been seen as a symbol of lighting the darkness, eliminating the scourge and bringing new forces, and is widely used in decorative design.
RYUZU displays a glimmering flame dynamic in a silver shape with loose and fluid lines.
Fire dragons combine the purification of the flame with the life-spirit and the twilight of the dragons to form a distinctive form of will.
The incumbent fixes the contours and shadows on a case-by-case basis, so that the flame on the chest displays a rich layer with light and angle.