(b) Skinning of the thinly repaired silver contour with the traditional Arare Pattern, carefully adjusted contour, thickness and light-receiving effects.
Central to the traditional Arare Pattern parts on the mini-floor, the perimeter is configured with the Arare pendant of the circle.
The light of Blue Topaz shows different faces.
* Links or non-chains are optional.
The brightness of the polished silver face is interwoven with the shadow of the flash, with different faces from different angles.
Arare Patten sprang around Blue Topaz, and the light of the different materials was reverberated.
The height is about 36 mm and the maximum width is about 26 mm in size, allowing for the natural integration of Arare Pattern.
On traditional techniques [scoffs]: The tacking of the metal surfaces with a tack is the technique of the transmission of the silverware in Japan.
Each seemingly even start is a function of the position of the person in charge, the strength of the hammer and the state of the metal.
Closely arranged flashes of light cast a delicate shadow and display power in silence.
RYUZU converts Arare pottern, which was used for silver kettles and teaware, to a garment process that can be appreciated on the chest.