The thinly fixed silver contours of the streaming line, pendant Blue Topaz, are smoldering from the silver material of the staff member, stomping on each and every one of them, poignantly capturing the light and displaying a sense of stability and clarity.
The nuanced difference between the strength and the location of the stump is reduced to a surface light, with a characteristic sense of hand-held quality.
The brightness of the polished silver face is interwoven with the shadow of the flash, with different faces from different angles.
Arare Patten sprang around Blue Topaz, and the light of the different materials was reverberated.
The height is about 49 mm and the maximum width is about 22 mm in size, allowing for the natural integration of Arare Pattern.
On traditional techniques [scoffs]: The tacking of the metal surfaces with a tack is the technique of the transmission of the silverware in Japan.
Each seemingly even start is a function of the position of the person in charge, the strength of the hammer and the state of the metal.
Closely arranged flashes of light cast a delicate shadow and display power in silence.
RYUZU converts Arare pottern, which was used for silver kettles and teaware, to a garment process that can be appreciated on the chest.